Yeah. I don’t know how much experience the person you are communicating with has, but the shit that can be faked at this point is endless. It is hard to do...well. But yes, you can change perspective over time now with After Effects and have it match cameras from different sources that have different variables. Hell, it’s what most of the latest tutorials for After Effects are about. I just went through a bunch.
Not when the fucking camera is panning, tilting and zooming in and out. If all these elements were shot separately, you need to know everything from the distance of the subject to the lens, the height of the lens, the lens length, which are all changing in the shot, and have a motion control rig to perfectly repeat each action for each pass, or else the change in perspective would make everything look like it's sliding around independently and warping. You can't just take a bunch of elements and fit it all together in post without very careful consideration of all those elements. I have a diploma in film production; I know what can be achieved convincingly and what it would take to do so. So you can miss me with your "whatever you want" bullshit.
Edit:
Oh look! Here's a picture of Trump with the press showing how close the mics get to the subject:
look whos talking. You can mask out any object you want and apply motion stabilization, resize, whatever you want.
Now, its hard to do well, which is exactly why this amateur attempt looks so hinky.
Yeah. I don’t know how much experience the person you are communicating with has, but the shit that can be faked at this point is endless. It is hard to do...well. But yes, you can change perspective over time now with After Effects and have it match cameras from different sources that have different variables. Hell, it’s what most of the latest tutorials for After Effects are about. I just went through a bunch.
I have a diploma in film production and my girlfriend is a VFX artist. We're laughing at you retards right now.
Not when the fucking camera is panning, tilting and zooming in and out. If all these elements were shot separately, you need to know everything from the distance of the subject to the lens, the height of the lens, the lens length, which are all changing in the shot, and have a motion control rig to perfectly repeat each action for each pass, or else the change in perspective would make everything look like it's sliding around independently and warping. You can't just take a bunch of elements and fit it all together in post without very careful consideration of all those elements. I have a diploma in film production; I know what can be achieved convincingly and what it would take to do so. So you can miss me with your "whatever you want" bullshit.
Edit: Oh look! Here's a picture of Trump with the press showing how close the mics get to the subject:
https://patriots.win/p/12hkvte2PC/one-is-genuineone-is-fake/c/
And an alternate angle of Biden showing the compression of the lens in the Hill footage (notice the grey mic is actually 2 or 3 ft to his right):
https://streamable.com/ve91lf