Wallace and his “that wouldn’t go over well” tough guy bullshit. What exactly the fuck would you have done about it? We saw what you would do about it. Go on tv and whine. These people are just disgusting man.
LOL @ Wallace: "If she'd treated me or Sam Donaldson that way, IT WOULD NOT HAVE GONE WELL!!!"
Meaning what, you pathetic fucking self-important globalist hack—you'd have threatened her into submission? Socked her in the mouth to put her in her place? Sent a couple of your goons to straighten her out?? Fuck you.
You're right, Chrissy: It would not have gone well. FOR YOU.
Well we know one thing: He hasn’t asked the questions.
That’s what so brilliant about Kayleigh’s approach. She hits the right tone (a somewhat frustrated but fully prepared crisis babysitter for unruly spoiled children), has a great look (kinda a tough-pretty in glam light gloss, youngish adult), and makes a fantastic presentation (both logically sound and rhetorically powerful, structured into a meme-able modern ‘mean girls’ soundbyte style that also supports a narrative framework which ‘plays out’ in a dramatic personality-clash spectacle, where she comes across as the protagonist).
No matter from what angle any non-TDS-affected audience enters the spin machine, or what part of the ‘drama’ first catches their interest, you end up at the same place: ’If she’s wrong... what’s the answer to her question?
Wallace and his “that wouldn’t go over well” tough guy bullshit. What exactly the fuck would you have done about it? We saw what you would do about it. Go on tv and whine. These people are just disgusting man.
We think the same
LOL @ Wallace: "If she'd treated me or Sam Donaldson that way, IT WOULD NOT HAVE GONE WELL!!!"
Meaning what, you pathetic fucking self-important globalist hack—you'd have threatened her into submission? Socked her in the mouth to put her in her place? Sent a couple of your goons to straighten her out?? Fuck you.
You're right, Chrissy: It would not have gone well. FOR YOU.
Well we know one thing: He hasn’t asked the questions.
That’s what so brilliant about Kayleigh’s approach. She hits the right tone (a somewhat frustrated but fully prepared crisis babysitter for unruly spoiled children), has a great look (kinda a tough-pretty in glam light gloss, youngish adult), and makes a fantastic presentation (both logically sound and rhetorically powerful, structured into a meme-able modern ‘mean girls’ soundbyte style that also supports a narrative framework which ‘plays out’ in a dramatic personality-clash spectacle, where she comes across as the protagonist).
No matter from what angle any non-TDS-affected audience enters the spin machine, or what part of the ‘drama’ first catches their interest, you end up at the same place: ’If she’s wrong... what’s the answer to her question?
Wallace did go too far on that there.