Well we know one thing: He hasn’t asked the questions.
That’s what so brilliant about Kayleigh’s approach. She hits the right tone (a somewhat frustrated but fully prepared crisis babysitter for unruly spoiled children), has a great look (kinda a tough-pretty in glam light gloss, youngish adult), and makes a fantastic presentation (both logically sound and rhetorically powerful, structured into a meme-able modern ‘mean girls’ soundbyte style that also supports a narrative framework which ‘plays out’ in a dramatic personality-clash spectacle, where she comes across as the protagonist).
No matter from what angle any non-TDS-affected audience enters the spin machine, or what part of the ‘drama’ first catches their interest, you end up at the same place: ’If she’s wrong... what’s the answer to her question?
Well we know one thing: He hasn’t asked the questions.
That’s what so brilliant about Kayleigh’s approach. She hits the right tone (a somewhat frustrated but fully prepared crisis babysitter for unruly spoiled children), has a great look (kinda a tough-pretty in glam light gloss, youngish adult), and makes a fantastic presentation (both logically sound and rhetorically powerful, structured into a meme-able modern ‘mean girls’ soundbyte style that also supports a narrative framework which ‘plays out’ in a dramatic personality-clash spectacle, where she comes across as the protagonist).
No matter from what angle any non-TDS-affected audience enters the spin machine, or what part of the ‘drama’ first catches their interest, you end up at the same place: ’If she’s wrong... what’s the answer to her question?