Their OC is horrible. There's no impetus to make truly great content though because the customer has already paid you, and is on a recurrent payment schedule regardless of what you do. This is different from the last great era of filmmaking where making something of high quality was the only pathway to huge money. Hollywood is at it's core high-stakes gambling. Yes there's the pedo stuff and also the govt|hollywood interface for propaganda and social engineering, but this was all built off of the major money pulled in from a successful film. That only happened if the film was truly great or hit the right note, and word of mouth began to circulate. The streaming era has destroyed this. People pay money to Netflix once a month even though they start 5 of their OC films/shows and decide they're all shit 5 min in. You already paid though so Netflix doesn't give af. Now that there is no need to worry about writing for what's organically sought, writers use the vehicle for politics or kook attempts at social engineering. Doesn't matter if the OC fails or succeeds because of the business model.

Archer is about the only good thing on netflix