Not when the fucking camera is panning, tilting and zooming in and out. If all these elements were shot separately, you need to know everything from the distance of the subject to the lens, the height of the lens, the lens length, which are all changing in the shot, and have a motion control rig to perfectly repeat each action for each pass, or else the change in perspective would make everything look like it's sliding around independently and warping. You can't just take a bunch of elements and fit it all together in post without very careful consideration of all those elements. I have a diploma in film production; I know what can be achieved convincingly and what it would take to do so. So you can miss me with your "whatever you want" bullshit.
Edit: Oh look! Here's a picture of Trump with the press showing how close the mics get to the subject:
https://patriots.win/p/12hkvte2PC/one-is-genuineone-is-fake/c/
And an alternate angle of Biden showing the compression of the lens in the Hill footage (notice the grey mic is actually 2 or 3 ft to his right):
Not when the fucking camera is panning, tilting and zooming in and out. If all these elements were shot separately, you need to know everything from the distance of the subject to the lens, the height of the lens, the lens length, which are all changing in the shot, and have a motion control rig to perfectly repeat each action for each pass, or else the change in perspective would make everything look like it's sliding around independently and warping. You can't just take a bunch of elements and fit it all together in post without very careful consideration of all those elements. I have a diploma in film production; I know what can be achieved convincingly and what it would take to do so. So you can miss me with your "whatever you want" bullshit.
Oh look! Here's a picture of Trump with the press showing how close the mics get to the subject:
https://patriots.win/p/12hkvte2PC/one-is-genuineone-is-fake/c/
And an alternate angle of Biden showing the compression of the lens in the Hill footage (notice the grey mic is actually 2 or 3 ft to his right):
Not when the fucking camera is panning, tilting and zooming in and out. If all these elements were shot separately, you need to know everything from the distance of the subject to the lens, the height of the lens, the lens length, which are all changing in the shot, and have a motion control rig to perfectly repeat each action for each pass, or else the change in perspective would make everything look like it's sliding around independently and warping. You can't just take a bunch of elements and fit it all together in post without very careful consideration of all those elements. I have a diploma in film production; I know what can be achieved convincingly and what it would take to do so. So you can miss me with your "whatever you want" bullshit.