Because that movie came out back in '74 I think it was OK for a little 'affirmative action' at that time.
I grew up on it, and other stuff like Wilder+Pryor and Murphy+Nolte and Gibson+Glover, etc., and that messaging felt like genuine anti-racism, in that it wasn't preachy or propagandistic, but rather free and fair and fun and 'American'. Color-blind, rather than woke.

I miss those days. I'd swear that actual racism faded to next-to-nothing back in the 80's, as well as actual sexism and actual homophobia. But it has been dredged up recently by cultural marxism since it's all so weaponizable.

And while I feel like I'm definitely on the look out for anything jewish-conspiracy related, I never got that vibe from Mel Brooks. He seemed like a good American.
Young Frankenstein, History of the World, Spaceballs, Men in Tights, etc. Was there any creepy anti-white anti-America marxist messaging in any of his work? I bet Brooks absolutely hates all the woke political-correctness crap.

Because that movie came out back in '74 I think it was OK for a little 'affirmative action' at that time.
I grew up on it, and other stuff like Wilder+Pryor and Murphy+Nolte and Gibson+Glover, etc., and that messaging felt like genuine anti-racism, in that it wasn't preachy or propagandistic, but rather free and fair and fun and 'American'. Color-blind, rather than woke.

I miss those days. I'd swear that actual racism faded to next-to-nothing back in the 80's, as well as actual sexism and actual homophobia. But it has been dredged up recently by cultural marxism since it's all so weaponizable.

And while I feel like I'm definitely on the look out for anything jewish-conspiracy related, I never got that vibe from Mel Brooks. He seemed like a good American.
Young Frankenstein, History of the World, Spaceballs, Men in Tights, etc. Was there any creepy anti-white anti-America marxist messaging in any of his work? I don't remember any.

Because that movie came out back in '74 I think it was OK for a little 'affirmative action' at that time.
I grew up on it, and other stuff like Wilder+Pryor and Murphy+Nolte and Gibson+Glover, etc., and that messaging felt like genuine anti-racism, in that it wasn't preachy or propagandistic, but rather free and fair and fun and 'American'. Color-blind, rather than woke.

I miss those days. I'd swear that actual racism faded to next-to-nothing back in the 80's, as well as actual sexism and actual homophobia. But it has been dredged up recently by cultural marxism since it's all so weaponizable.

And while I feel like I'm definitely on the look out for anything jewish-conspiracy related, I never got that vibe from Mel Brooks. He seemed like a good American.
Young Frankenstein, History of the World, Spaceballs, Men in Tights, etc. Was there any creepy anti-white anti-America marxist messaging in any of his work?

Because that movie came out back in '74 I think it was OK for a little 'affirmative action' at that time.
I grew up on it, and other stuff like Wilder+Pryor and Murphy+Nolte and Gibson+Glover, etc., and that messaging felt like genuine anti-racism, in that it wasn't preachy or propagandistic, but rather free and fair and fun and 'American'. Color-blind, rather than woke.

I miss those days. I'd swear that actual racism faded to next-to-nothing back in the 80's, as well as actual sexism and actual homophobia. But it has been dredged up recently by cultural marxism since it's all so weaponizable.